"vers l'incalculable d'une autre pensée de la vie"

Category: Calls for Papers

(Re) Constructing Lives

Biography Society Worskshops
Annual Conference of the SAES
Université de Reims Champagne-Ardenne
1-3 June 2017

Do biographies necessarily impose on lives an artificial pattern? Is not a life already a construction, quite apart from any attempt to write about it? If, on the one hand, biography may serve the ideological purpose of ceaselessly constructing and reconstructing idealized lives of iconic historical figures, on the other hand, it may just as well work the other way around. If biography can serve the purposes of myth-making, modern biography is more often than not an investigation, de-constructing the lives of historical personages to re-construct them on a more true-to-life basis. For instance, in a distant past, James Anthony Froude’s Life of Carlyle scandalized his contemporaries by knocking the great man off his pedestal, paving the way for Lytton Strachey’s Eminent Victorians, and much more recently the biographies of C. G. Jung by Richard Noll and Ronald Hayman, reconstructing the life of the Swiss psychologist in a very iconoclastic light, or again Pierre Péan’s François Mitterand, Un jeunesse française, unearthing once more the socialist leader’s commitment with the Vichy government.

This workshop will particularly welcome contributions looking at the positioning of biographies relatively to this ideological notion of “construction”. Other papers may concentrate rather on the biographers’ narrative discourse as a process of re-constructing those parts or sides of their subjects’ lives that have been erased out of historical document, whether intentionally or accidentally—a limit case in this respect is Ivan Jablonka’s Laetitia, and the use of ‘fictions de méthode’ to investigate the gaps. Another direction worth exploring would be the way in which, biographical information about an author/an artist may drastically inflect the reception of his/her work.

Please send a (provisional) title before 20 January 2017, and an abstract of no more that 200 words before 1st March to Joanny Moulin, joanny.moulin@univ-amu.fr.

Biographical Studies

Biographical Studies Seminar
Joanny Moulin & Hans Renders
Conference ESSE-13 in Galway (August 22-26, 2016)
Seminar: BIOGRAPHY

Biographical Studies are emerging as a field of research in the humanities, at a crossroads between several disciplines. This seminar would welcome contributions to the study of biography as a genre, considering that it raises specific issues that distinguish it from autobiography. It would equally be interested in approaches to the practice of biography as a method of academic research, from microhistory to literature and cultural studies. For instance, individual papers may address theoretical questions, case studies of particular biographers’ works, the history and the poetics of biography, the impact of the biographical turn, the evolution of biographical dictionaries, or the innovative influences of the biopic and digital humanities.

Convener:
Joanny Moulin, Aix-Marseille University, joanny.moulin@univ-amu.fr

Biography Studies: An Interdisciplinary Confluence

Biography Society Workshops
SAES Annual conference 
2-4 June 2016
Université Lyon III

Since the end of the last century, a “biographical turn” has occurred in the Humanities, which, after several decades that have been dominated by the “death of the subject”, place the human individual once again at the heart of debates. The development of researches on autobiography and autofiction in literary studies, the methodology of life writing in the social sciences, have characterized the first phase of this movement. Today, Biography Studies appear as a dynamic emerging field, under way of theorization. Researchers in many countries and various disciplines turn to studying the hitherto underestimated genre of biography. Contemporary literature and cinema display a remarkable interest for biofiction and the biopic. In history, biography asserts itself as an innovating mode of historiography. Researchers of several disciplines are pulling together around the recently founded Biography Society, to animate this new research field and to contribute to its theorization.

Anglistics, as a multifarious discipline, is a vantage ground for Biography Studies, not only because of the importance of biography as a genre in English literature, from Izaak Walton and John Aubrey, to Samuel Johnson and James Boswell, to Thomas Carlyle, to Virginia Woolf, Giles Lytton Strachey and the authors of the New Biography, to the Oxford DNB, and the flourishing biographical productions in anglophone countries today; but also because Biography Studies constitute an interdisciplinary zone of confluence, properly speaking, at the crossroads of “civilisation“, literary and cinema studies, history and visual arts. Many French anglicistes are biographers in their own rights, others have developed the study of literary biography around Frédéric Regard, and new projects to study the biopic are in the offing.

This first workshop of The Biography Society is intended as a rallying call to English Studies scholars interested in Biographical Studies in one way or another: it welcomes contributions from researchers of various waters, confirmed academics or doctoral students. Papers can address the practice of biographical writing, offer theoretical reflections on biography, the biopic, biofiction, or biographical dictionaries, explore new biographical approaches to literature, or else propose analyses of remarkable biographers and biographical works in historiography, literature, cinema, or other media. Abstracts for papers focussing on the theme “confluences”, of no more than 300 words, should be addressed before 25 January 2016 to info@biographysociety.org

Convener: Pr Joanny Moulin joanny.moulin@univ-amu.fr

 

 

Biography Studies: An Interdisciplinary Confluence

and Maryam Thirriard (PRCE, PhD student) maryam.thirriard@laposte.net.

Programme:

2  June – 3.30 – 6.30 Workshop I

3.30-4.00 – Antoine Capet ”Churchill et ses biographes”

4.00-4.30 – Olivier Frayssé (Paris 4) “Biographie et généalogie: les grands ancêtres: le cas d’Abraham Lincoln”

4.30-5.00 – Karyn Wilson Costa (Aix-Marseille): “Auguste Angellier’s Life of Robert Burns: an Indulgent Biography”

5.00-5.30 – Louis Roux (Saint-Étienne): “Ruth Scrurr: John Aubrey: My Own Life”

5.30-6.00 – Alice Braun (Paris Ouest Nanterre): “When Janet Frame’s biography and autobiography collide”

6.00 – 6.30 – Questions

3 June – 9.00 – 10.30 Workshop II

9.00-9.30 – Taïna Tuhkunen (Angers) : “A real life on a reel: Rob Epstein and Jeffrey Friedman’s biographical picture of Allen Ginsberg (Howl, 2010)”

9.30-10.00 – Delphine Letort (Le Mans) “Adapting and Reenacting the Past in the Political Biopic Selma

10.00-10.30 – Questions

4 June – 9.00 – 10.30 Workshop III

9.00-9.30 – Patricia Godi Tkatchouk (Clermont-Ferrand 2) : “Art and life, or aspects of the original integration of biography in feminist literary criticism to read women poets”

9.30-10.00 – Patrick Di Mascio (Aix-Marseille): “Americanizing Freud: John Huston’s Secret Passion”

10.00 – 10.30 – Questions

4 June – 11.00 – 12.30 Workshop IV

11.00-11.30 – Maryam Thirriard (Aix-Marseille): “Virginia Woolf, Lytton Strachey, Harold Nicolson, André Maurois and the ‘New Biography’: Zones of Confluence”

11.30-12.00 – Alex Tremblay (Aix-Marseille); “Lytton Strachey and Biography: The Oddity of True Interpretation”

12.00 – 12.30 – Questions

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